Magma | ||
| Allmusic Biography : Led by classically trained drummer Christian Vander, the Paris-based Magma have been, in their way, perhaps the ultimate progressive rock group; while other artists have achieved greater commercial success and critical acclaim, Magma have typified the many ambitions and excesses of the genre that won them as many detractors as fans, even going so far as to invent their own lyrical and musical language in order to bring their unique vision to life. The son of a jazz pianist, Vander initially followed in his fathers footsteps, modeling his technique on the work of John Coltrane alum Elvin Jones and starting his career with a number of jazz and R&B; outfits. While in Paris in 1969, however, he was struck by a vision of Earths spiritual and ecological future so disturbing to him that he decided to explore his fears by musical means, assembling Magma with the aid of wife and vocalist Stella, singer Klaus Blasquiz, and fusion bassists Francis Moze and Jannick Top. As outlined on the groups eponymous 1970 double-album debut, Vanders tale -- projected to be told over the course of ten LPs -- pitted Earth against a rival planet named Kobaia. Over the course of 1971s 1,001 Centigrade and 1973s Mekanïk Destructïw Kommandoh (recorded with a choir), the story -- much of it told in native Kobaian -- unfolded to depict an Earth so uninhabitable that its citizens must flee to the nearby planet, where years of conflict culminated in the achievement of cosmic harmony and a reconciliation with the deity Ptäh. Chart success was not forthcoming, and after a few early tours of the U.S. and Britain Magma spent the middle years of the decade almost exclusively in France, where they launched records including 1974s Kohntarkosz and the next years Live. After the commercial failure of 1976s Üdü Wüdü and 1977s Inédits, Magma essentially disbanded, although the group lived on in various forms, as alumni founded a number of loosely affiliated splinter groups to carry on Vanders work, while a number of bands -- including Art Zoyd, Univers Zero, Ensemble Nimbus, Happy Family, and Koenji Hyakkei -- would be influenced by Magma during the years to follow. In 1983, Vander himself resurfaced with the acoustic project Offering, but later returned to more grandiose designs with Les Voix de Magma, an attempt to resurrect his early material for a new generation of listeners. In the mid-‘90s Vander re-formed Magma proper -- including Stella Vander, various musicians new to the Magma fold, and appearances by members of the bands earlier lineups -- and they began an extended period of recordings and live appearances featuring both new music and material from their "classic" period. In 1995 the album Kohntarkosz Anteria (K.A.) appeared as the second part of a trilogy that began with the Kohntarkosz album in 1974; the third and final part of the trilogy, Emehntehtt-Re, was issued in 2009. Meanwhile, Magma documented a number of their live shows on both CD and DVD releases, including the La Trilogie au Trianon CD and DVD sets recorded at the band’s 30th anniversary concerts in Paris during May 2000 and the Live in Tokyo two-CD set recorded in 2005. Magma also performed music from 35 years of the band’s history during a four-week residency at the Le Triton club in Paris during May of 2005; the Le Triton concerts were documented on the four-volume Mythes et Légendes DVD series released between 2006 and 2008. | ||
 | Album: 1 of 36 Title: Paris 76 Released: Tracks: 4 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Hhaï (?) 2 La Musique Des Sphères (?) 3 De Futura (?) 4 Troller Tanz (?) |
 | Album: 2 of 36 Title: Kobaïa Released: 1970 Tracks: 10 Duration: 1:21:32 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Kobaïa (10:09) 2 Aïna (06:15) 3 Malaria (04:21) 4 Sohïa (07:41) 5 Sckxyss (02:47) 6 Auraë (10:52) 1 Thaud Zaïa (07:00) 2 Naü Ektila (12:57) 3 Stöah (08:08) 4 Mûh (11:17) |
 | Album: 3 of 36 Title: 1.001° Centigrades Released: 1971 Tracks: 3 Duration: 41:54 Scroll: Up Down Top Bottom 25% 50% 75% Wikipedia Allmusic AlbumCover | 1 Rïah Sahïltaahk (21:45) 2 “Iss” Lanseï Doïa (11:46) 3 Ki Ïahl Ö Lïahk (08:22) |
| 1.001° Centigrades : Allmusic album Review : For 1,001 Degrees Centigrade, Magma underwent several personnel changes: guitarist Claude Engel departed without being replaced, and Alain Charlery and Richard Raux made way for Louis Toesca (trumpet) and Jeff Seffer (sax, bass clarinet). This was the second installment in Magmas Kobaïan saga. With lyrics again performed in the bands invented language, the album chronicles the Kobaïan peoples return to Earth to save the planet. Despite that conceptual continuity with the groups self-titled debut, this was a somewhat transitional work in musical terms. It shares the first albums jazz direction but also anticipates Magmas subsequent journey into a genre of its own making, one that owed as much to Carl Orff as it did to rock music. 1,001 Degrees Centigrades divergent sonic identities are encapsulated in the track distribution on the original vinyl release. Penned by Teddy Lasry (woodwinds) and François Cahen (keyboards) respectively, side twos "Iss Lanseï Doïa" and "Ki Ïahl Ö Lïahk" are fairly standard exercises in Soft Machine-style jazz-rock. Apart from some complex instrumental sections and some idiosyncratic Kobaïan vocal stylings, theres nothing especially memorable, and certainly nothing innovative, about these numbers. The records original side one, given over to the 22-minute Christian Vander composition "Rïah Sahïltaahk," is another story entirely. Again displaying a jazz orientation with its multiple phases, its abruptly changing time signatures, tempos and intensities, as well as its shifting instrumental emphases (horns, woodwind, electric piano), this epic track also breaks new ground for Magma. Although it lacks the fluidity and the truly grand symphonic gravitas of the bands subsequent magnum opus, Mekanïk Destruktïw Kommandöh, it more than hints at that albums strident, martial rhythms and its Carmina Burana-esque choral dimensions. Ultimately, 1,001 Degrees Centigrade is by no means a classic Magma record, but "Rïah Sahïltaahk" stands out as an excellent document of a band approaching its masterpiece. | ||
 | Album: 4 of 36 Title: Mëkanïk Dëstruktïẁ Kömmandöh Released: 1973 Tracks: 7 Duration: 38:50 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Hortz Fur Dëhn Stekëhn Ẁest (09:34) 2 Ïma sürï Dondaï (04:28) 3 Kobaïa Iss Dëh Hündïn (03:35) 4 Da Zeuhl Ẁortz Mëkanïk (07:48) 5 Nebëhr Gudahtt (06:00) 6 Mëkanïk Kömmandöh (04:08) 7 Kreühn Köhrmahn Iss Dëh Hündïn (03:14) |
| Mëkanïk Dëstruktïẁ Kömmandöh : Allmusic album Review : There is definitely quite a large step from Magmas second LP, 1,001 Degrees Centigrade, to this one, their third. At the same time, MDK represents a transitional period: drummer/composer Christian Vander has definitely abandoned the jazzier leanings of the previous opuses and has now dived head first into martial hymns and a new form of progressive devotional music -- extraterrestrial gospel. But he has also chosen to retain the brass section that gave Kobaïa and 1,001 Degrees Centigrade their signature sound. Therefore, the music has yet to become the relentless rhythmic kaleidoscope that the future would promise. MDK was introduced in the LPs original liner notes (an illuminated delirium by Vander, who rechristens himself Zebëhn Straïn dë Geustaah -- his text, the essence of which is a revelation transmitted to him by the Prophet Nebëhr Gudahtt, is the key text in Magmas mythology) as the third movement of Theusz Hamttaahk, but it was the first one recorded. The previous two movements are "Theusz Hamttaahk" itself, often performed live but not recorded at the time, and Würdah Ïtah, which would become the groups next album. All three album-length pieces share elements (some lyrics, rhythmic cells, and chord sequences), but they are individual stand-alone pieces. MDK showcased for the first time the incredible range of singer Klaus Blasquiz and introduced the ground-moving work of bassist Jannick Top, with and for whom Vander will develop an increasingly rhythm-heavy style, already present here. Between the meticulous developments of "Hortz Fur Dëhn Stekëhn West," the possessed free-form screams in "Nebëhr Gudahtt," and the hymnal chorus of "Mekanïk Kommandöh," MDK is one giant creative blow to the guts, and unsuspecting listeners will be left powerless at the end of its onslaught of mutated funk, pummeling gospel rock, and incantatory vocals in a barbaric invented language. It remains one of Magmas crowning achievements (together with Kohntarkosz) and the best point of entry into Christian Vanders unparalleled musical vision. And if the literary concept bothers you, just ignore it: the music has more than enough power to do without it. | ||
 | Album: 5 of 36 Title: Ẁurdah Ïtah Released: 1974 Tracks: 12 Duration: 39:04 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic Wikipedia AlbumCover | 1 Malaẁëlëkaahm (03:37) 2 Bradïa Da Zïmehn Iëgah (02:18) 3 Manëh Fur Da Zëss (01:36) 4 Fur Dï Hël Kobaïa (04:55) 5 Blüm Tendiwa (03:29) 6 Ẁohldünt Mᴧëm Dëẁëlëss (03:29) 7 Ẁaïnsaht !!! (02:30) 8 Ẁlasïk Steuhn Kobaïa (02:46) 9 Sëhnntëht Dros Ẁurdah Süms (03:24) 10 Cest la vie qui les a menés là ! (04:58) 11 Ëk Sün Da Zëss (02:16) 12 De Zeuhl Ündazïr (03:40) |
 | Album: 6 of 36 Title: Köhntarkösz Released: 1974-06 Tracks: 4 Duration: 41:09 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Köhntarkösz, Part 1 (15:23) 2 Köhntarkösz, Part 2 (16:04) 3 Ork Alarm (05:27) 4 Coltrane Sündïa (04:14) |
| Köhntarkösz : Allmusic album Review : Magmas famed "Kobaian" saga took a detour with this 1974 release. Drummer Christian Vanders band had heretofore specialized in a brand of progressive rock that had more in common with the Teutonic grandeur of Richard Wagner than the Baroque ornamentation of Yes or Gentle Giant. Kohntarkosz witnessed a change in sound to something altogether stranger, yet by many accounts, more conventionally beautiful. Vander is on record as saying he was worried that other artists had been "stealing" his ideas (most notably, Mike Oldfield, who had been a studio visitor during the sessions for Mekanik Destruktiw Kommanoh), and that may have been the impetus for the new direction. This album emphasized smoother, more textural arrangements than previous Magma efforts. The cyclical themes in the two-part title suite, along with the trance-inducing repetition of the group vocals, were a far cry from the controlled martial fury of earlier records. However, the lengthy solo jam in "Kohntarkosz, Pt. 2" demonstrates that Magma was hardly married to convoluted themes and languages; the band could work up an improvisational fire with the best fusion bands. Jannick Tops "Ork Alarm" is a short piece featuring aggressive cello and guttural vocals that is perhaps out of place on this album; Vanders gorgeous "Coltrane Sundia," an homage to the late jazz legend, ends Kohntarkosz on a solemn, peaceful note. Although the definitive version of the title suite is found on 1975s Magma Live, this record stands alongside the best Magma studio releases. | ||
 | Album: 7 of 36 Title: Live Released: 1975 Tracks: 8 Duration: 1:26:14 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Köhntark, Part One (15:45) 2 Köhntark, Part Two (16:14) 3 Ëmëhntëht‐Rê (Announcement) (08:10) 1 Hhaï (09:20) 2 Kobah (06:36) 3 Lïhns (04:55) 4 Da Zeuhl Ẁortz Mëkanïk (06:14) 5 Mëkanïk Zaïn (18:57) |
| Live : Allmusic album Review : This bizarre and unique jazz-rock has sci-fi trappings. | ||
 | Album: 8 of 36 Title: Üdü Ẁüdü Released: 1976 Tracks: 6 Duration: 38:22 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Üdü Wüdü (04:16) 2 Weidorje (04:32) 3 Tröller Tanz (Ghost Dance) (03:40) 4 Soleil DOrk (OrkSun) (03:53) 5 Zombies (Ghost Dance) (04:19) 6 De Futura (17:39) |
| Üdü Ẁüdü : Allmusic album Review : Udu Wudu is the fragmented follow-up to Magmas successful 1976 Live set. Leader Christian Vander relinquished some control over the group for this album, only writing about half the music. From the start, the signature Magma sound is noticeably different, to which the quaint rhythm box-generated Latin beat flavoring the title track attests. Also, synthesizers are used throughout the album (to varying degrees of success) and most of the songs are short (three to four minutes) with simple, almost catchy melodies. Bassist Bernard Paganotti wrote "Weidorje." Heavy synths date this tune, and the rather mellow, optimistic vibe (which it shares with the title track) does seem uncharacteristic of a band known for singing about the end of the world. During the course of recording, Paganotti would leave Magma to form his own band, named after this song. Perhaps the most significant aspect of the album lies in the compositions of bassist Jannick Top. "Soleil DOrk" and especially "De Futura" perfectly capture the simultaneous joy and doom of all the best Magma music. "De Futura" is an 18-minute, funky tour de force. This piece practically invented the "brutal prog" scene (à la groups like Flying Luttenbachers and Ruins) with its crushing bass and heavy, syncopated drums. That is not to say that its chaotic or disjointed, but there is definitely a primal aggression at work here that Magma rarely approached; its fierce and fun. Since it came immediately after the almost universally praised Live in Magmas discography, prog aficionados often underrate this album. Truthfully, it is not in the higher pantheon of the bands work; it lacks the cohesion of their earlier releases and veers away from the Kobaian legacy that had informed most of the bands strangeness. Synthesizers and shorter songs may have been concessions to the times or may have just been a breath of fresh air for the band. Whatever the case, the album has enough to offer that fans should investigate it. | ||
 | Album: 9 of 36 Title: Inédits Released: 1977 Tracks: 6 Duration: 41:32 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Wikipedia AlbumCover | 1 Sowiloï (Soï‐Soï) + KMX‐E XII - Opus 3 (13:45) 2 KMX‐B XII - Opus 7 (06:13) 3 Om Zanka (05:30) 4 Gamma (04:00) 5 Terrien si je t’ai convoqué (04:10) 6 Gamma Antéria (07:54) |
 | Album: 10 of 36 Title: Attahk Released: 1978 Tracks: 7 Duration: 38:58 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 The Last Seven Minutes (1970-77, Phase I) (07:35) 2 Spiritual (Negro Song) (03:16) 3 Rindë (Eastern Song) (03:05) 4 Liriïk Necronomicus Kant (In Which Our Heroes Ürgon & Ğorğo Meet) (05:06) 5 Maahnt (The Wizards Fight Versus the Devil) (05:29) 6 Dondaï (To an Eternal Love) (08:02) 7 Nono (1978, Phase II) (06:23) |
| Attahk : Allmusic album Review : After Üdü Wüdü, Magma disbanded for a time, only to reconvene a year later under a slightly different direction than before. While drummer Christian Vander had maintained general leadership of the band since the early 70s, this new phase of Magma could almost be considered a Vander solo project. His interest in funk, R&B, gospel, and pop would come to the fore, and similar to many of his prog rock and jazz fusion peers, he would mold the bands sound into something with crossover appeal. The music on this album is brighter than the previous album, emphasizing rhythm, lead vocals, and bright, fusion-informed basslines rather than murky group vocals or extended zeuhl suites. Fans of the earlier material tend to criticize this album for its lack of a "traditional" zeuhl sound in favor of a funk/fusion/zeuhl hybrid. While it is markedly different than the preceding albums, it is one of the most exciting and certainly one of the most accessible. "The Last Seven Minutes" is burning zeuhl-funk, with some of Vanders most explosive drumming on record. Although they werent singing about interplanetary war anymore (but were singing in "Kobaian"), the bandmembers never lost their intensity. This is getting closer to hard-edged fusion à la groups such as Mahavishnu Orchestra and Return to Forever, but nothing that features Vanders idiosyncratic wail is going to sound derivative. Similarly, "Dondaï" might be a pleasant, unaffecting funk ballad from anyone else, but from Magma it sounds at once magical and silly. In truth, this is calm by Magmas standards, and for a while the group actually seemed willing to present relatively straightforward music. | ||
 | Album: 11 of 36 Title: Retrospektïw III Released: 1981 Tracks: 3 Duration: 35:51 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Retrovision (Je suis revenu de lunivers) (18:13) 2 Hhaï (version intégrale) (13:27) 3 "La" Dawotsin (04:10) |
 | Album: 12 of 36 Title: Retrospektïẁ I–II Released: 1981 Tracks: 2 Duration: 1:16:16 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Theusz Hamtaahk (36:10) 1 Mekanïk Destruktïẁ Kommandöh (40:05) |
 | Album: 13 of 36 Title: Merci Released: 1984 Tracks: 7 Duration: 40:29 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic Wikipedia AlbumCover | 1 I Must Return (06:38) 2 Eliphas Levi (11:04) 3 The Night We Died (04:15) 4 Call From the Dark (Ooh Baby) (07:15) 5 Do the Music (04:22) 6 Otis (05:20) 7 Otis (Ending) (01:32) |
 | Album: 14 of 36 Title: Mekanïk Kommandöh Released: 1989 Tracks: 1 Duration: 37:56 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Mekanïk Destruktïw Kommandöh (37:56) |
 | Album: 15 of 36 Title: "Les Voix": Concert 1992 Douarnenez Released: 1992 Tracks: 4 Duration: 44:39 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Ëmëhntëht-rê (03:39) 2 Cest pour nous (07:55) 3 Zess (17:18) 4 Wurdah Ïtah (15:46) |
 | Album: 16 of 36 Title: AKT V : Concert Bobino 1981 - Paris Released: 1995 Tracks: 8 Duration: 1:54:59 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Zaïn (07:39) 2 Hhaï (13:10) 3 Ürgon Gorgo (06:03) 4 Retrovision (Attahk) (20:08) 1 Whos My Love (07:18) 2 Otis (13:15) 3 Zëss (extrait) (31:35) 4 You (15:46) |
 | Album: 17 of 36 Title: AKT VIII : Concert 1971 - Bruxelles au Théâtre 140 Released: 1996 Tracks: 8 Duration: 1:25:19 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Stöah (05:17) 2 Kobaïa (07:32) 3 Aïna (06:29) 4 Rïah Sahïltaahk (19:12) 1 "Iss" Lanseï Doïa (12:58) 2 Ki Ïahl ö Lïahk (09:35) 3 Sowiloï (Soi Soi) (07:21) 4 Mekanïk Kommandöh (16:51) |
 | Album: 18 of 36 Title: AKT IX : Concert 1976 - Opéra de Reims Released: 1996 Tracks: 5 Duration: 2:40:46 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 De futura (24:32) 2 Sons et chorus de batterie (26:38) 1 Köhntarkösz (33:31) 2 Theusz Hamtaahk (33:34) 1 Mëkanïk Destruktïw Kommandöh (42:29) |
 | Album: 19 of 36 Title: AKT IV : Concert 1975 - Toulouse Théâtre du Taur Released: 1997 Tracks: 4 Duration: 1:33:51 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Köhntarkösz (32:29) 2 Hhaï (11:18) 3 Kobaïa (11:47) 1 Mekanïk Destruktïw Kommandöh (38:16) |
 | Album: 20 of 36 Title: Kompila Released: 1997 Tracks: 22 Duration: 1:03:39 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Kobaïa (03:37) 2 Stöah (02:55) 3 Rïah Sahïltaahk (02:11) 4 Rïah Sahïltaahk (01:35) 5 Rïah Sahïltaahk (02:37) 6 Theusz Hamtaahk (02:07) 7 Theusz Hamtaahk (02:56) 8 Theusz Hamtaahk (02:41) 9 Theusz Hamtaahk (01:26) 10 Wurdah Ïtah (01:23) 11 Wurdah Ïtah (03:45) 12 Wurdah Ïtah (01:15) 13 Wurdah Ïtah (00:44) 14 Mekanïk Destruktïw Kommandöh (01:39) 15 Mekanïk Destruktïw Kommandöh (02:12) 16 Mekanïk Destruktïw Kommandöh (01:46) 17 Mekanïk Destruktïw Kommandöh (06:04) 18 Mekanïk Destruktïw Kommandöh (02:26) 19 Köhntarkösz (06:04) 20 Köhntarkösz (04:04) 21 Köhntarkösz (01:30) 22 Hhaï (08:42) |
| Kompila : Allmusic album Review : Thanks to the intricate side-long suites that constitute most of the groups output, Magma is hell to compile. When the exhilaration of following the frantic pace of a 25-minute movement is central to the experience of listening to this band, any attempt at a "best-of" collection is doomed to fail and Kompila, despite the best intentions, does just that. Whoever took care of this set (no names are given) made a risky decision. Instead of presenting only a handful of key pieces, they chose to include 22 short tracks excerpted from longer works. Only the alien jazz fusion anthem "Kobaïa," the title track from the groups debut LP, and "Hhaï" (a version off the odds-and-ends collection Retrospektiw, Vol. 3) have been included unedited. "Rïah Sahïltaahk" (from 1,001 Degrees Centigrade), "Theusz Hamtaahk" (from Retrospektiw, Vols. 1-2), "Wurdah Ïtah" (from the Tristan et Iseult soundtrack), and "Mekanïk Destruktïw Kommandöh" and "Köhntarkösz" (from both the studio album by that title and the Magma Live set) are represented by three to five excerpts each, some as short as 44 seconds, most between two and four minutes long. These excerpts cross-fade -- and not always in the most elegant way. Some tracks are so short and pointless one wonders why the producers didnt go for a single but longer and more meaningful excerpt per album. Sure, it makes a dynamic compilation, but the listener comes out of it a little puzzled about the merits of this album. | ||
 | Album: 21 of 36 Title: Simples Released: 1998 Tracks: 5 Duration: 20:15 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Hamtaak (02:37) 2 Tendei Kobah (02:50) 3 Mëkanïk Kommandöh (05:04) 4 Klaus Kombalad (04:27) 5 Mëkanïk Machine (05:17) |
 | Album: 22 of 36 Title: BBC 1974 Released: 1999 Tracks: 2 Duration: 57:29 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Theusz Hamtaahk (30:03) 2 Köhntarkösz (27:26) |
 | Album: 23 of 36 Title: La Trilogie Theusz Hammtaahk au Trianon Released: 2001 Tracks: 30 Duration: 2:12:20 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Malawëlëkaahm (06:28) 2 Sëwolahwëhn öhn Zaïn (06:42) 3 Dëümb ëwëlëss Dölëhn (03:52) 4 Zeuhl Wortz (02:28) 5 Gorutz Waahrn (03:15) 6 Tü lü lï ë üi dü wiï (01:08) 7 Se lah Maahrï Donsaï (02:31) 8 Slibenli dëh Theusz (05:21) 9 Zortsüng (03:09) 1 Malawëlëkaahm (04:21) 2 Bradïa da zïmehn iëgah (02:35) 3 Manëh fur da Zëss (01:42) 4 Fur dï Hël Kobaïa (05:38) 5 Blüm tendiwa (05:49) 6 Wohlsünt mlem dëwëlëss (03:08) 7 Waïnsaht !!! (03:11) 8 Wlasik steuhn Kobaïa (02:44) 9 Sëhnntëht dros wurdah süms (06:00) 10 Cest la vie qui les a menés là ! (04:32) 11 Ëk sün da Zëss (02:37) 12 De Zeuhl ündazïr (06:11) 1 Hortz Fur Dëhn Stekëhn West (10:17) 2 Ïma sürï Dondaï (04:13) 3 Kobaïa iss de Hündïn (02:07) 4 Da Zeuhl wortz Mëkanïk (07:20) 5 Nebëhr Gudahtt (07:39) 6 Mekanïk Kommandöh (08:05) 7 Kreühn Köhrmahn iss de Hündïn (01:30) 8 Da Zeuhl Wortz wainsaht (hymne de la Zeuhl Wortz) (01:53) 9 Présentation des musiciens (05:41) |
 | Album: 24 of 36 Title: Spiritual Released: 2002-08-13 Tracks: 12 Duration: 1:22:14 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Weidorje (04:32) 2 Dondaï (To an Eternal Love) (08:00) 3 Spiritual (Negro Song) (03:15) 4 Hhaï (08:50) 5 Zombies (04:18) 6 Nono (1978, Phase II) (06:23) 1 Kobah (06:25) 2 The Last Seven Minutes (1970-1971, Phase I) (07:33) 3 Lïhns (04:56) 4 Maahnt (The Wizard’s Fight Versus the Devil) (05:31) 5 Üdü Ẁüdü (04:15) 6 Mëkanïk Zaïn (18:14) |
 | Album: 25 of 36 Title: Über Kommandoh Released: 2004 Tracks: 14 Duration: 1:34:57 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Spiritual (03:16) 2 Udu Wudu (04:13) 3 De Futura (17:36) 4 The Last Seven Minutes (1971-1971, Phase II) (07:34) 5 Weidorje (04:28) 6 Rinde (Eastern Song) (03:08) 7 Maahnt (The Wizards Fight vs the Devil) (05:29) 1 Troller Tanz (Ghost Dance) (03:36) 2 Zombies (Ghost Dance) (04:13) 3 Nono (1978, Phase II) (06:22) 4 Soleil DOrk (Ork Sun) (03:47) 5 Lirik Necronomicus Kant (In which Our Heroes Ourgon and Gorgo Meet) (05:03) 6 Dondai (To an Enternal Love) (08:00) 7 Mekanik Zain (live) (18:12) |
 | Album: 26 of 36 Title: K.A Released: 2004-11-08 Tracks: 3 Duration: 48:49 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 K.A I (11:12) 2 K.A II (15:53) 3 K.A III (21:44) |
 | Album: 27 of 36 Title: AKT XV : Bourges 1979 Released: 2008-10-01 Tracks: 9 Duration: 1:49:56 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Entrée en scène (01:06) 2 Retrovision (16:42) 3 The Last Seven Minutes (10:44) 4 Ürgon Gorgo (12:04) 5 Korusz XXVI (21:07) 1 Entrée en scène (00:30) 2 Hhaï (10:55) 3 Nono (08:14) 4 Mëkanïk Dëstruktïw Kömmandöh (28:32) |
 | Album: 28 of 36 Title: Studio Zünd: 40th Anniversary Released: 2008-11-20 Tracks: 77 Duration: 9:00:49 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Kobaïa (10:09) 2 Aïna (06:15) 3 Malaria (04:21) 4 Sohïa (07:41) 5 Sckxyss (02:47) 6 Auraë (10:52) 1 Thaud Zaïa (07:00) 2 Naü Ektila (12:57) 3 Stöah (08:08) 4 Mûh (11:17) 1 Rïah Sahïltaahk (21:45) 2 “Iss” Lanseï Doïa (11:46) 3 Ki Ïahl Ö Lïahk (08:22) 1 Hortz Fur Dëhn Stekëhn Ẁest (09:34) 2 Ïma sürï Dondaï (04:28) 3 Kobaïa Iss Dëh Hündïn (03:35) 4 Da Zeuhl Ẁortz Mëkanïk (07:48) 5 Nebëhr Gudahtt (06:00) 6 Mëkanïk Kömmandöh (04:08) 7 Kreühn Köhrmahn Iss Dëh Hündïn (03:14) 1 Malaẁëlëkaahm (03:37) 2 Bradïa Da Zïmehn Iëgah (02:18) 3 Manëh Fur Da Zëss (01:36) 4 Fur Dï Hël Kobaïa (04:55) 5 Blüm Tendiwa (03:29) 6 Ẁohldünt Mᴧëm Dëẁëlëss (03:29) 7 Ẁaïnsaht !!! (02:30) 8 Ẁlasïk Steuhn Kobaïa (02:46) 9 Sëhnntëht Dros Ẁurdah Süms (03:24) 10 Cest la vie qui les a menés là ! (04:58) 11 Ëk Sün Da Zëss (02:16) 12 De Zeuhl Ündazïr (03:40) 1 Köhntarkösz, Part 1 (15:23) 2 Köhntarkösz, Part 2 (16:04) 3 Ork Alarm (05:27) 4 Coltrane Sündïa (04:14) 1 Üdü Ẁüdü (04:13) 2 Weidorje (04:32) 3 Tröller Tanz (03:46) 4 Soleil DOrk (03:50) 5 Zombies (04:23) 6 De Futura (17:39) 7 Ëmëhntëht-rê (Extrait no. deux) (03:13) 1 The Last Seven Minutes (1970-77, Phase I) (07:35) 2 Spiritual (Negro Song) (03:16) 3 Rindë (Eastern Song) (03:05) 4 Liriïk Necronomicus Kant (In Which Our Heroes Ürgon & Ğorğo Meet) (05:06) 5 Maahnt (The Wizards Fight Versus the Devil) (05:29) 6 Dondaï (To an Eternal Love) (08:02) 7 Nono (1978, Phase II) (06:23) 1 Call From the Dark (Ooh Baby) (07:15) 2 Otis (05:20) 3 Do the Music (04:22) 4 Otis (Ending) (01:32) 5 I Must Return (06:38) 6 Elephas Levi (11:15) 7 The Night We Died (03:40) 1 K.A I (11:12) 2 K.A II (15:53) 3 K.A III (21:44) 1 La Foule (04:38) 2 Fete Foraine (02:47) 3 Blues de V. (06:30) 4 Pascale (02:42) 5 Ourania (08:48) 6 Kalimouna (extrait) (00:43) 7 Africa Anteria (07:03) 8 Mekanik Destruktiw Kommandoh (34:35) 1 Kobaia (08:53) 2 Aina (05:20) 3 Malaria (03:49) 4 Sckxyss (02:47) 5 Auraё (09:47) 6 Thaud Zaia (05:55) 7 Nau Ektila (13:46) 8 Muh (extrait) (01:09) 9 Eliphas Levi (09:35) |
 | Album: 29 of 36 Title: Live in Tokyo Released: 2009 Tracks: 10 Duration: 1:44:32 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Applause début (00:37) 2 K.A. I (10:38) 3 K.A. II (15:28) 4 K.A. III (22:38) 5 Applause fin (01:38) 1 Applause début (00:56) 2 Theusz Hamtaahk (13:40) 3 Wurdah Itah (16:53) 4 Mekanïk Destruktïw Kommandöh (19:45) 5 Applause fin (02:19) |
 | Album: 30 of 36 Title: Ëmëhntëhtt-Ré Released: 2009-11-05 Tracks: 6 Duration: 51:01 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia AlbumCover | 1 Ëmëhntëhtt-Ré I (06:54) 2 Ëmëhntëhtt-Ré II (22:24) 3 Ëmëhntëhtt-Ré III (13:07) 4 Ëmëhntëhtt-Ré IV (03:54) 5 Funëhrarïum Kanht (04:13) 6 Sêhë (00:25) |
 | Album: 31 of 36 Title: Félicité Thösz Released: 2012-06-12 Tracks: 11 Duration: 32:36 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Félicité Thösz : Ëkmah (02:39) 2 Félicité Thösz : Ëlss (01:11) 3 Félicité Thösz : Dzoï (02:27) 4 Félicité Thösz : Nüms (01:51) 5 Félicité Thösz : Tëha (05:15) 6 Félicité Thösz : Ẁaahrz (04:03) 7 Félicité Thösz : Dühl (01:19) 8 Félicité Thösz : Tsaï ! (03:41) 9 Félicité Thösz : Öhst (04:53) 10 Félicité Thösz : Zahrr (00:59) 11 Les hommes sont venus (04:18) |
 | Album: 32 of 36 Title: Zühn Ẁöhl Ünsaï - Live 1974 Released: 2014-04-25 Tracks: 9 Duration: 1:33:38 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Soẁiloï (soï soï) (12:24) 2 Mëkanïk Dëstruktïẁ Kömmandöh: Hortz Fur Dëhn Stëkëhn Ẁest (08:46) 3 Mëkanïk Dëstruktïẁ Kömmandöh: Ïmah Sürï Dondaï (04:42) 4 Mëkanïk Dëstruktïẁ Kömmandöh: Kobaïa Iss De Hündïn (02:23) 5 Mëkanïk Dëstruktïẁ Kömmandöh: Da Zeuhl Ẁortz Mëkanïk (07:41) 6 Mëkanïk Dëstruktïẁ Kömmandöh: Nëbëhr Gudahtt (07:40) 7 Mëkanïk Dëstruktïẁ Kömmandöh: Mëkanïk Kömmandöh (04:01) 1 Korusz II (20:09) 2 Theusz Hamtaahk (25:49) |
 | Album: 33 of 36 Title: Rïah Sahïltaahk Released: 2014-09-23 Tracks: 8 Duration: 24:28 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Watseï Kobaïa (04:41) 2 Di Mahntër Sahïltaahk (03:01) 3 Süri sï Toïdo (03:31) 4 Ün zoïn glaö (03:11) 5 Ïss walomëhn Dôm (02:25) 6 Bradïa ëtnah (02:24) 7 Môm loïlë (03:46) 8 Wöleï (01:29) |
 | Album: 34 of 36 Title: Šlağ Tanƶ Released: 2015-01-10 Tracks: 8 Duration: 20:55 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Imëhntösz: Alerte ! (02:19) 2 Šlağ (03:03) 3 Dümb (02:57) 4 Vers la nuit (03:30) 5 Dümblᴧë: Le silence des Mondes (02:58) 6 Zü Zaïn ! (02:16) 7 Šlağ Tanƶ (02:29) 8 Ẁohldünt (01:23) |
 | Album: 35 of 36 Title: Köhnzert Zünd Released: 2015-11-13 Tracks: 60 Duration: 9:22:28 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Köhntarkösz. Part 1 (15:27) 2 Köhntarkösz, Part 2 (15:47) 3 Ëmëhntëhtt‐Ré (annoncement) (08:08) 1 Hhaï (08:52) 2 Kobah (06:36) 3 Lïhns (04:56) 4 Da Zeuhl Wortz Mëkanïk (08:55) 5 Mëkanïk Zaïn (16:03) 1 Theusz Hamtaahk (36:10) 1 Mekanïk Destruktïẁ Kommandöh (40:05) 1 Retrovision (Je suis revenu de lunivers) (18:13) 2 Hhaï (version intégrale) (13:27) 3 "La" Dawotsin (04:10) 1 Malaẁëlëkaahm (06:28) 2 Sëẁolahẁëhn öhn Zaïn (06:42) 3 Dᴧëümb ᴧëwëlëss dölëhn (03:55) 4 Zeuhl Ẁortz (02:25) 5 Gorutz ẁaahrn’ (03:17) 6 Tü lü lï ᴧë üi dü wiï (01:06) 7 Sé lah Maahrï Donsaï (02:31) 8 Slibenli dëh Theusz (05:21) 9 Zortsüng (03:09) 1 Malaẁëlëkaahm (Incantation) (04:21) 2 Bradïa da zïmehn iëgah (L’initié a parlé) (02:38) 3 Manëh fur da Zëss (Ensemble pour le Maître) (01:39) 4 Fur dï Hël Kobaïa (Pour La vie éternelle) (05:39) 5 Blüm tendiwa (L’âme du peuple) (05:48) 6 Ẁohldünt mᴧëm dëẁëlëss (Message dans l’étendue) (03:08) 7 Ẁaïnsaht !!! (En avant !!!) (03:11) 8 Ẁlasïk steuhn Kobaïa (Ascension vers l’éternel) (02:44) 9 Sëhnntëht dros ẁurdah süms (La mort n’est rien) (06:00) 10 C’est la vie qui les a menés là! (04:46) 11 Ëk sün da Zëss (Qui est le Maître) (02:24) 12 De Zeuhl ündazïr (Vision de la musique céleste) (06:11) 1 Hortz fur dëhn Štekëhn Ẁešt (10:17) 2 Ïmah süri Dondaï (04:13) 3 Kobaïa iss dëh hündïn (02:07) 4 Da Zeuhl Ẁortz Mëkanïk (07:20) 5 Nebëhr Gudahtt (07:39) 6 Mëkanïk Kömmandöh (08:01) 7 Kreuhn Köhrmahn ïss dëh hündïn (01:34) 8 Da Zeuhl Ẁortz ẁaïnsaht (hymne de la Zeuhl Ẁortz) (01:52) 9 Présentation des musiciens (05:43) 1 Stoah (10:29) 2 De Futura (17:53) 3 The Last Seven Minutes (11:39) 4 Nono (07:18) 5 Otis (09:12) 6 Kobaïa (12:10) 1 Riah sahiltaahk (23:47) 2 Dondaï (08:59) 3 Šlag Tanz (18:28) 4 Maahnt (11:05) 1 Ëmëhntëhtt‐Ré I (07:26) 2 Ëmëhntëhtt‐Ré II (24:22) 3 Ëmëhntëhtt‐Ré III (12:13) 4 Ëmëhntëhtt‐Ré IV (04:38) 5 Funërarium kahnt (06:55) 1 Félicité Thösz (29:55) 2 Sëhntëhndëh (16:32) |
 | Album: 36 of 36 Title: Live at the Marquee (Londres, 17 mars 1974) Released: 2018-08-31 Tracks: 7 Duration: 2:11:51 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Köhntarkösz (25:23) 2 Sowiloï (07:13) 3 KMX B XII opu 7 (07:20) 4 Sons et chorus de batterie (PTAH) (25:11) 5 Untitled (01:00) 1 Theusz Hamtaahk (29:20) 2 Mëkanïk Dëstruktïw Kömmandöh (36:24) |